|
Giovanni Bottesini Three string quartets (Dynamic)
- Second movement (Scherzo. Allegro vivo) from String Quartet in D major Op.4 Nr. 3
> listen
CD Classica (Italy)
The interpretative adherence to the changing
spirit that pervades this composition illuminates the principal qualities
of this quartet, that is to say, a notable versatility and a large ability
of characterization. This makes us wish to hear them play more from this
repertory. (Giovanni Tasso)
Strad (UK)
"The members of the Quartetto Elisa give competent accounts... They
produce a beautifully blended sonority and play with impeccable ensemble
and musical insight" (Robin Stowell)
L. Boccherini 6 Quintetti Op.56 (Piero Barbareschi, pianoforte) (Agorà/MusikStraße)
- Second movement (Andantino) from Quintet in b minor Op. 56 Nr.6 (G. 412)
> listen
CD Classica (Italy)
The Quartetto Elisa[...]has established itself
at a top level, showing, on par with the excellent pianist Piero Barbareschi,
a notable congeniality with this repertory[...] An extremely worthy recording
that definitely deserves a place in everyones music collection. (Giovanni
Tasso)

Mozarts transcriptions from Bachs
The Well-tempered Clavier, The Organ Sonatas, The Art of Fugue (Antes Concerto)
- Fugue V from "Five Fugues" from The Well-Tempered Clavier by J.S. Bach KV 405
> listen
Amadeus (Italy)
[...]this beautiful recording of the Quartetto Elisa suggests a more
pertinent and correct potrait of Mozart[...] A handful of compositions from
which in the very solid interpretation of the Quartetto Elisa
an intellectual energy and an absolute concentration is revealed, that tells
us much more about Mozart. (m.r.z.)
L. Brouwer / Beatles Collection 2 folk songs
- Penny Lane from "Seven songs after the Beatles" (Victor Pellegrini, guitar)
> listen
"[
]The Lennon-McCartney songs are elaborated
in different ways, each referring to either a composer or a situation from
the western tradition: Bartók in Eleanor Rigby with its contrapuntal
texture and polytonal harmony; Hindemith in Penny Lane with its fourth-chord
harmony and the atonal neoclassicism of its introduction and coda; the characteristic
string textures of Dvorák in Shes leaving home; Stravinsky
in A ticket to ride; a chromatic model in Here, there and everywhere; the
counterpoint of the Elizabethan viol consort in Yesterday; [
]"
Paolo Paolini (translated by H. Ward Perkins)
Elisa Quartet. Live in Japan An all Italian Programme
- Verdi: String Quartet in E minor Third movement: Prestissimo > listen
- - Boccherini: Quartet in D major Op. 6/1 (G.165)
- - Verdi: String Quartet in E minor
- - Puccini: "Crisantemi" for String Quartet
- - Respighi: "Tramonto" for Soprano and String Quartet (Noriko Sasaki, Soprano)
- (Encore)
- - Oono Tadasuke: "Yoimachigusa" (Noriko Sasaki, Soprano)
- - Mozart: Divertimento in F major K. 137 (First Movement)
|